Martin Hiendl          Compositions          Texts          Events

Traces Through Time (2010) (pdf | 307 kb) Developments in Edgard Varèse’s essential material in Hyperprism, Intégrales and Déserts. Notations (2010) Notation indicates the biggest gap between "academic" new music and "non-academic" new music. Ansprache (2010) German About percebtability of art in a specialized society. ABC (2010) Asked about an artistic statement, this is what I came up with. Polemic and contradictory. An invitation for discussion, at least. Heavily inspired by Jenny Holzer's »Truisms«. Liberating the signs: John Cage's Concert for Piano and Orchestra (2010) (pdf | 64 kb) The attempt to fuck around with Cage and Derrida in academic language. The punch line: Depiction as content, or: From absolute music to absolute depiction.